Editor’s Note:

So much good news to announce for SolLitMag: First, we welcome our terrific new Managing Editor and Blog Editor,  Amy Yelin. Amy is also a published author of fine nonfiction! And we announce our forthcoming (April, 2015) print anthology, Selections from Solstice, celebrating our first five years. And check for our forthcoming (2014) third eBook, Sadgirls, by Margaret Garcia. Also, we’ll have a booth at AWP 2015, monitor a panel on editors speak on diversity, and co-host a reception with Talking Writing and Juked.

Now to our Winter Issue: Here’s to an impressive diversity of styles in Fiction: Featuring acclaimed author Valerie Miner’s mysterious realistic piece. Moving into the magical realism of Laurie Foos, to the prose poetry of a lesbian encounter by Estela Gonzales, to the beautifully crafted realistic stories by Amrit Chima and Jerry Whitus, to the edgy postmodern realism of  Gary Percesepe, to the hardcore realism of  Sean Conway, and the quirky premise fiction of  Sean Gandert.

For Nonfiction we offer a range from the profound multi-media essay by Thomas Larson to Allen Gee’s deep-going metaphorical insights into deep-water fishing, to Debbie Merion’s in-depth look into anorexia.

Unending thanks to our devoted, creative editors Richard Hoffman, author of the acclaimed memoir Love & Fury, and to Ben Berman, poet and author of Strange Borderlands. (Order through our sidebar ads!) And with gratitude to Dzvinia Orlowsky for editing Poetry in Translation.  And thanks to DeWitt Henry for promoting two pieces in this issue. And to our devoted readers and staff.  Please Subscribe for free, follow us on Twitter, become a Facebook Friend.  Join our diverse, ever-growing community! We are promoting diversity in the arts!

Lee Hope, editor in chief

Ps. And order the new anthology, American Fiction, 2014, published by the distinguished New Rivers Press.

 

Poetry Editor’s Note:

I’m always fascinated by the process of how an issue comes together – begins to find a shape and form of its own. What happens, say, when John Blair’s poem, What Happens to the Future, suddenly finds it way next to Dwayne Martine’s, Artifact. Or what it’s like to read Len Krisak’s piece about a scarecrow festival in St. Charles, Illinois, juxtaposed next to Hedy Habra’s poem about protests in Gezi Park. Or what it means to consider Jacob Strautmann’s The Land of the Dead is Open for Business beside Geraldine Zetzel’s Survivor. And it seems fitting as we approach the winter solstice that the issue begins with the line: So, I have lost you, in a poem called Autumn, by Tran Nhuong, translated by Bruce Weigl and Nguyen Ba Chung and ends with this note from Geraldine Zetzel: Cold, let him not know/that I am to be your bride.

Ben Berman

 

OTHER ANNOUNCEMENTS:  SolsticeLitBooks second eBook just published!  The Message by Eugenio Volpe.  A riveting tale of a veteran with PTSD.  Order from Amazon today!  Many thanks to co-editor for eBooks, Jenifer DeBellis.

And congrats to Mike Miner, his eBook “Everything She Knows” won an honorable mention in the 2014 Global eBook Awards!

Solsticelitmag will be moderating a panel at AWP15.  Title: Making Diversity Happen.  And we’ll be sharing a booth at the AWP Bookfair with Talking Writing.  More to come.

Also, we thank our donors at our June annual bash and fundraiser! You will be listed soon on our donor’s page!  Our first silent auction was a success! Many thanks to two restaurants in the Boston area:  Sweet Basil and Not Your Average Joes for donating gift certificates.  And to Laure-Anne Bosselaar Bill Betcher, Kathleen Aguero, Helen Elaine Lee, and many others for silent auction donations.  And to Richard Hoffman and to Beacon Books, for donating so many copies of his stellar memoir, Love and Fury.  Please get this provocative family saga of betrayal and reconciliation.

In these trying times, literature can reflect our innermost concerns.  Read on.  Lee Hope

 

 

 

The views represented in this magazine or in its social media Twitter or Facebook accounts or in any related social media outlets do not necessarily represent the views of SolLitMag’s editors, board of officers, staff, contributors, or any other affiliated groups or individuals.