Down in History
The man who drives the gas truck is built like a fireplug. He’s got a shaved head and goatee. He paces in front of his rig while it idles. I’m in his way.
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Feb. UPDATE: Presenting our Third Annual LITERARY CONTEST!
And announcing the new annual STEPHEN DUNN PRIZE IN POETRY: $500. (Stephen Dunn won the Pulitzer Prize for Different Hours and is the distinguished author of 15 other collections of prose and poetry.)
FICTION PRIZE: $1,000. Final Judge: JENNIFER HAIGH, bestselling author of Faith and three other novels. PEN/Hemingway Award Winner.
And our new NONFICTION PRIZE: $500, donated by Michael Steinberg. Final Judge: JERALD WALKER, award-winning author of Street Shadows: A Memoir of Race, Rebellion and Rejection.
Winners and Finalists published in our Summer Awards Issue.
Also do read our 2012 Fall/Winter Issue below. This time, we’re primarily focusing on humorous/ironic visions, ranging from experimental stories by Eugenio Volpe and Mardith Louisell to Robert Lopez’s (Dzanc Books) postmodern short short, to more realistic ironic stories like that of Bryan S. Wang’s and Margaret Elysia Garcia’s and, finally, to more serious realistic pieces, such as the story of a lonely woman’s joblessness in London, by M. G. Stephens, and finally, a novel excerpt about a boy watching his father kill another boy, by Richard Perry.
In nonfiction, the essays question our culture--from Donna Steiner’s riveting response to late night pornographic phone calls, to Dawn Potter’s lyrical essay on a white woman reading Malcolm X, to Leslie Lawrence’s soul-searching account of teaching Hamlet to public school kids, to Julee Newberger’s musings on serving as an advocate for a foster child.
The distinguished poetry showcases variations in strategies and subject matter and includes such eminent poets as Martha Collins’ spare interrogation of white privilege, Daniel Tobin's accomplished lyrical musings, and Dennis Hinrichsen’s unflinching imagery, and also includes surprising, probing work by other gifted poets.
Please leave comments after reading. Authors often respond. And check out our Photography! We’re all promoting diversity in its many forms. Lee Hope
The man who drives the gas truck is built like a fireplug. He’s got a shaved head and goatee. He paces in front of his rig while it idles. I’m in his way.
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I couldn’t go to a movie with a friend because I had to go to my boyfriend’s ex-girlfriend’s daughter’s wedding. The movie was about a serial killer but it was French so I knew it would be okay …
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We didn’t know what was wrong with the neighbors. Whenever we passed them in the halls they made a strange sound, like a hiss. They never looked us in the eye, either.
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By the time Dalton D’Amico arrived, Miss Nugent already had the other children at their little tables coloring pictures of Jesus delivering the Sermon on the Mount. She tried to keep their hands busy; you know what they said about idle hands.
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My mind was far away, thinking about how my big brothers were taking me out to Santa Monica for the Bowie show that night, when I heard it.
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For two years Eileen lived in Queen’s Crescent, on the southern edge of Hampstead Heath, in the ground floor flat of a Victorian semi-detached building, with her landlord living above her.
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My father killed Albert Miller on Saturday, June 4th, 1851, an afternoon of high sky and unforgiving sun.
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“You’re not even dead, are you?” I think to ask
as my cappuccino mug slips to the floor.
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Rather than escaping,
this land accepts itself;
thus it is gentle and harsh,
vulnerable and saved.
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Cutting corners because that’s all we have to cut,
pulling ourselves through the needle’s eye
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Its ear attunes homage to those wings
that would entice a consort’s tailored song.
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1. As the Gods Who All Things Know
You would save the harrowed from their foregone fall,
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Blue’s on vacation. Your eyes
turn white in this light, ivory,
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Phone. 4:45 a.m. Still dark out. Nobody calls with good news at this hour. Maybe somebody back east… Maybe something really great happened, so they know it’s okay to wake me up… Hope nobody died…
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I was in my early teens when I met, for the first time, a book that didn’t like me.
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“Should Ophelia trust Hamlet’s expressions of love?” Ms. Baker asked.
“No way!” Keena called out. Several others also shook their heads.
“Why not?” Ms. Baker pressed. “Mavis…? Are you with us? No? Tran? Don’t look at me. Look at the text.”
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I met her for the first time at her father’s apartment just outside Washington, DC.
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