Wendy Mnookin’s fifth collection, Dinner with Emerson, is organized according to the four seasons. It begins with spring and runs through the year, followed by a fifth section, “Another Spring,” that features poems in a season that stretch beyond “Winter.” There is a sense of the ongoing about these poems, that life marches on, that we learn to turn the page, and that despite whatever we are slogging through, there will be another season.
You know a writer with mental illness, even if you don’t realize it or know that person by name. Maybe the writer is a friend, or someone in your critique group, or someone you met at a writer’s convention. Maybe it’s someone you are working with on a publication.
This past May, I drove Professor Gwendolyn Rosemond home after she attended one of the bi-annual artist retreats I co-direct with my husband—we traveled along scenic route 127, from Gloucester at the tip of Cape Ann in Massachusetts, to Salem which is further South, at the Northshore’s midpoint. We drove for about forty five minutes and in that span we solved both the adjunct problem and the diversity problem at universities. Well, we solved a key portion of these problems. “Grow your own!” Gwen said. And, she was absolutely right.
I was honored to interview the internationally known photographer, Lou Jones. Lou also quietly serves on many boards to further photography and mentors multiple young photographers. He is an artist who gives back, in his art and in his service.
Solstice editor-in-chief, Lee Hope, was interviewed on The Jordan Rich Show about her novel, Horsefever. You can hear the full interview here. Also, Horsefever has been listed as the Small Press Distribution #2 fiction bestseller in Jan/Feb. Due out on March 16th, you can order Horsefever today at Amazon and Barnes & Noble! LIKE: https://www.facebook.com/Lee-Hope-507320366097313/ • MORE INFO: leehopeauthor.com
Due out on March 16th, you can order Horsefever today at Amazon and Barnes & Noble. Like Lee Hope on Facebook. • MORE INFO: leehopeauthor.com Who Sinks? Who Rises Up Again? An Interview with Lee Hope (originally published at Fiction Writers Review) I have been an admirer of Lee Hope’s fiction for many years. Her widely published short stories are… Read more »
The reading period for our Annual Literary Contest opens this Saturday (Feb 20th), and we couldn’t be more excited about this year’s judges! Richard Blanco will be the judge for the Stephen Dunn Prize in Poetry, Celeste Ng will be the judge for our Fiction Prize, and Michael Steinberg will be the judge for our… Read more »
Skin Music by Dennis Hinrichsen Winner of the 2014 Michael Weaver Poetry Prize Southern Indiana Review Press, 2015 74 pp., $14.95 One of the great pleasures of Dennis Hinrichsen’s award winning poetry collection, Skin Music, is watching the poet consider large questions and concepts while paying careful attention to the specific details of… Read more »
Carmen Maria Machado’s debut short story collection, Her Body and Other Parties, is forthcoming from Graywolf Press. She has been nominated for a Nebula Award and a Shirley Jackson Award, and her fiction and nonfiction have appeared in The New Yorker, Granta, Best American Science Fiction & Fantasy 2015, and elsewhere. She is a graduate of the Iowa Writers’ Workshop and the… Read more »
Ruth Lepson is poet-in-residence at the New England Conservatory of Music. She is the author of the poetry volumes I Went Looking for You (BlazeVOX, 2009), Morphology with photographer Rusty Crump (BlazeVOX, 2008), Dreaming in Color (Alice James Books, 1980), and editor of Poetry from Sojourner: A Feminist Anthology (University of Illinois Press, 2004). A… Read more »
Irene Koronas is a multi-media artist, painter, poet and editor of Wilderness House Literary Review. She is the author of three volumes of poetry, self portrait drawn from many (Ibbettson Street Press, 2007), Pentakomo Cyprus (Cervena Barva Press, 2009), turtle grass (Muddy River Books, 2014) and many chapbooks. Her visual art has been shown in… Read more »
Douglas Kearney is a poet, performer, librettist, and a faculty member at California Institute of the Arts MFA in Creative Writing. He is the author of three volumes of poetry, Patter (Red Hen Press, 2014), The Black Automaton (Fence Books, 2009), Fear, Some (Red Hen Press, 2006) and several chapbooks. He was interviewed by Danielle… Read more »
An interview with Richard Hoffman on the occasion of the 20th Anniversary Edition of his memoir Half the House, with a foreword by Louise DeSalvo. An excerpt of Half the House is available here How did the process of writing Half the House differ from your second book, Love & Fury? Do you see Love & Fury as a… Read more »
Yay! Congratulations your book is out! What will you do next? Now comes the uncomfortable part of art for many of us: commerce. After all that’s a huge aspect of the book—to get people to BUY it. In a world with literally millions of books that’s not an easy task. I recently completed a second… Read more »
My parents loved Sinatra. I recall many Saturday evenings in the mid-1980’s sitting in the backseat of my father’s Buick Regal as we drove slowly around what was called ‘the big circle’ listening to the radio program “Saturdays with Sinatra.” Both my parents sang along as I cringed, a teenager trapped in her parent’s back… Read more »
Wendy: Why did you decide to submit “Calligraphy,” your winning piece, to the contest? Did you see it as a good fit for Solsticelitmag and our diverse voices theme? Shanyn: “Calligraphy” is one piece from a collection of related stories that I’m currently writing. The collection focuses on the four Yu daughters as they grow… Read more »
David: At one point in your contest-winning essay “A Fable for Our Times”, you write, “The call for change did not die, but its message often seemed lost amid the static roar of greed and violence that filled the next forty years, until new leaders again stirred the conscience of the nation.” As someone who… Read more »
You are currently pursuing a PhD in linguistics at Yale. In what ways do you see overlap between your work as a linguist and as a poet? In what ways do you see these as distinctly separate fields? My linguistic work and my poetic career are both sourced in the same love of language. I… Read more »
And on the first day, God made snow. Day one of my MFA program at Lesley University got cancelled because of a blizzard. So much for auspicious beginnings. And on the second day, I took selfies. In my hotel room. In the cab on the way to campus. In front of the Lesley University sign.… Read more »
At 5:30AM on the Tuesday after Labor Day weekend, I woke up to three post-midnight text messages from friends who have the luxury of staying up late. Had I heard about the controversy regarding one of the contributors to Best American Poetry 2015? Did I read the recent blog post by this year’s guest editor,… Read more »
I like to tell people who ask about my graduate schoolwork that I gave up the lucrative field of journalism to take up the more practical work of creative writing. Sometimes my audience gets the joke. Graduate MFA students are keenly aware the odds are stacked against us. Very few, we are told, will go… Read more »
Martha Collins is a poet, translator, the editor-at-large for Field Magazine, and an editor at Oberlin College Press. She is the author of the poetry volumes, Day Unto Day (Milkweed, 2014), White Papers (Pitt Poetry Series, 2012), Blue Front (Graywolf, 2006), Some Things Words Can Do (Sheep Meadow, 1998), A History of a Small Life on a Windy Planet (University of Georgia, 1993), The Arrangement of Space (Gibbs Smith,… Read more »
When Fomite Press accepted my first novel, A Free, Unsullied Land, a conversation began. Marc Estrin (editing) and Donna Bister (production) run Fomite along with a couple of interns, and the press is actively engaged with their authors every step of the way. Marc liked my characters and their story, but wanted more about the… Read more »
How did you come to poetry? I wrote animal stories as a child. In seventh and eighth grade classes, I’d read Tennyson and Poe, but then my friend Catherine Patterson sent me Sylvia Plath’s Ariel. Poems not in a textbook—and by a woman! I was hooked. In college at the University of Virginia, I took… Read more »