Carolina Baldomá is an artist specialized in photography who lives and produces her work immersed in her natural environment, in the Argentinian Pampas.
She is engaged in long-term experimental photography projects, and her research explores the relationship between nature and the human being, emphasizing the concepts of coexistence and synchronicity between them. In recent years, her projects have centered on alchemical experimentation with different photographic mediums, revisiting the history of photography in an empirical way. In her practice, nature is poetically imprinted both in the content and in the medium, becoming both object and subject in the artwork.
Her photographs combine dreamlike and sometimes surreal landscapes with experimental portraits of women in metamorphosis, revealing the deep connection between the cycles of human nature—particularly those of women—and the rhythms of the natural world.
In 2023 she was preselected for the Fresh contest by Klompching Gallery in New York and she was a finalist for the Lens School of Madrid Grant. She has received mentions in international competitions such as Emerging Talents Awards 2024 and 2023, Critics Choice 2024, 2023, and 2022, and Portrait Awards 2023 by Lensculture. In 2025, her work was selected for the online exhibition Expanded Cyanotypes: New Directions in Cyanotype Making at the Griffin Museum of Photography in New England, USA.
She has held various solo exhibitions in Argentina and Uruguay and has participated in group shows in New York, Paris, Athens, Berlin, Vermont, and Melbourne. Her work is part of photobooks and art collections, and she has been published in specialized photography media such as Arte On Line, Femgrafía (Mexico), Fotógrafas en el Mundo, and Fotoargenta.
She pursued a Master’s degree in Contemporary Art Curation at ESEADE in Argentina and is currently working on a thesis about 19th-century women who made significant contributions to photographic techniques, science and art.
