I begin to pray for the world. Believe me
it’s involuntary—a lamp chain’s pulled,
my bulb filament glows….
Don’t think
I’ve prayed since I was that feverish
kid sweat-soaking the bed and afraid
I’d drain away. That night
I prayed
for myself, to a giant in his white steam-
bath robe and that cake-shaped hat.
The fever did break,
and I spun it
my plea had been answered, but less than
half believed. My Caucasian deity
vaporized through the years,
diffused
into the wide dark just the far
side of all the fine slits carved
in my books—
there were the stars
and the worlds they warmed, the cheetah
teeth in gazelle, and yes, the grenade
launcher…and the miracle
no mind
made a molecule of trust, of the let-down
of a breast’s milk, of belief
itself.
And now I’ve lived long enough
on this majestic skim operation,
on the endless breakdown slough,
to get the call—
I hear a brave smile
in my son’s voice, my tear ducts swell,
and the prayer’s gone live, everywhere
all at once, on past the end of my breaths.

Jed Myers’ fourth book of poetry, Can’t Be Far (MoonPath Press, 2026), was a finalist for the Sally Albiso Award. Prior collections are Learning to Hold (2024, Wandering Aengus Press Editors’ Award), The Marriage of Space and Time (MoonPath, 2019), Watching the Perseids (2014, Sacramento Poetry Center Book Award), and six chapbooks. Recent honors include Southern Humanities Review’s Auburn Witness Prize and awards from Columbia Journal, Common Ground Review, and Skagit River Poetry Foundation. Poems have appeared in Rattle, RHINO, Poetry Northwest, Southern Indiana Review, Greensboro Review, and elsewhere. Myers lives in Seattle, where he edits the journal Bracken.