Before the normal barriers
get erected, and silence
takes on a texture,
and our secrets grow
like mold in a basement,
I want you to know I believe
in the kind of transparency
that gets me what I want.
Why would I tell you this?
Because women like you
find even a semblance of honesty
irresistible. I will listen with what
appears to be intense interest
to everything you say.
I’ll look into your eyes
as if they contained mysteries,
something vaguely coral
and deep. I’m the kind of man
who will not touch you
without permission, ostensibly
considerate, terribly polite
in public. At some point
you’ll take my hand and place it
where it will feel especially invited.
Or you won’t. It doesn’t matter;
what I love are the preliminaries,
the seeing what, the great if.
Your wise friends are likely to warn
you about me. But you won’t listen
because you’ll recognize I’m the mask
behind the face, as close to the truth
as you’re likely to get.
And I’ll have opened my good ear
to you. I trust that you’ll think it —
like the ones before you have —
as a passageway to the heart.
In 1939, Stephen Dunn was born in New York City. He earned a BA in history and English from Hofstra University, attended the New School Writing Workshops, and finished his MA in creative writing at Syracuse University. Dunn has worked as a professional basketball player, an advertising copywriter, and an editor, as well as a professor of creative writing.
Dunn’s books of poetry include Lines of Defense (W. W. Norton, 2014); Here and Now: Poems (W. W. Norton, 2011); What Goes On: Selected and New Poems 1995-2009 (2009); Everything Else in the World (2006); Local Visitations (2003); Different Hours (2000), winner of the 2001 Pulitzer Prize winner for poetry; Loosestrife (1996); New and Selected Poems: 1974-1994 (1994); Landscape at the End of the Century (1991); Between Angels (1989); Local Time (1986), winner of the National Poetry Series; Not Dancing (1984); Work & Love (1981); A Circus of Needs (1978); Full of Lust and Good Usage (1976); and Looking For Holes In the Ceiling 1974. He is also the author of Walking Light: Memoirs and Essays on Poetry (BOA Editions, 2001), and Riffs & Reciprocities: Prose Pairs (1998).
Dunn’s other honors include the Academy Award for Literature, the James Wright Prize, and fellowships from the National Endowment for the Arts and the New Jersey State Council on the Arts. He has taught poetry and creative writing and held residencies at Wartburg College, Wichita State University, Columbia University, University of Washington, Syracuse University, Southwest Minnesota State College, Princeton University, and University of Michigan.
Dunn is the Distinguished Professor of Creative Writing at Richard Stockton College and lives in Frostburg, Maryland, with his wife, the writer Barbara Hurd.
