Two Poems

by Roman Honet
Translated by
Elżbieta Wójcik-Leese

Agata’s dream

a woman was carrying a bundle,
in the bundle were dead children
and a wooden head, a memento.
a wooden bell. at times what you need to know about a dream

is what you know about death – inside that head,
slanting script, the selling of rags
and belongings, abrupt struggle with relief,
drunkenness, but that’s another map,

equally kind. like a fin
before it emerges from water,
takes the shape of papillary lines
and starts counting coins in the pockets. or

else – she’s not
in my eye, looking, smooth,
as if i bought the eye in a shop
and stuffed dirt into it, that history

of the most difficult translation:
i – you.
accidental discovery:
people die.

night’s blueprint of me

and dying i’d be afraid of three things:
that which was always as if beyond me,
that one day i’ll be claimed by another speech,

and that i’ve lived exclusively for myself,
but night, in which absentmindedly i dipped my hands
was the beginning and end of not my body

and it invented a blueprint of me –
in the night there’re several me’s

Photo by Katarzyna Szweda
Photo by Katarzyna Szweda

Roman Honet

Roman Honet (b. 1974) has published nine volumes of poetry, most recently: pamięć niczyja, ciało moje [nobody’s memory, my body] (2024), as well as two selected editions: moja [mine] (2008) and rozmowa trwa dalej [the conversation continues] (2016). Editor of the anthology Poeci na nowy wiek [Poets for a New Century] (2010), co-editor of Antologia nowej poezji polskiej 1990-2000 [Anthology of New Polish Poetry 1990–2000] (2004). Winner of the Wisława Szymborska Award in 2015 for the volume świat był mój [the world was mine]. His poetry was translated into Czech, Spanish, Lithuanian, Latvian, German, Norwegian, Slovenian, and English. In recent years a selection of his poetry has appeared in Russian as Месса Лядзинского [The Mass of Ladziński] (trans. Sergei Moreino, Moscow, 2017), a volume in Ukrainian as Світ належав мені (trans. Yurii Zavadskyi, Ternopil, 2019), a Serbian edition as Svet je bio mój (trans. Biserka Rajčić, Belgrade, 2021), and a selection of poems in Latvian, Kauns un ķirši [shame and cherries] (trans. Sergei Moreino, Riga: Literatūras Kombains, 2026).

View profile

Translation

Elżbieta Wójcik-Leese

Elżbieta Wójcik-Leese

Elżbieta Wójcik-Leese writes with/in English, Polish and Danish. Her visual poetry publications include preter/natural appetite for chalk (intergraphia, 2025) and convers(at)ion: sea fog chalk (Essence Press, 2024).  Among her Polish poetry translations are: Song at Half Past Three (Wojciech Bonowicz; Literary Waves, 2026), Night Truck Driver (Marcin Świetlicki; Zephyr Press, 2020; longlisted for the 2021 PEN America Poetry in Translation Award longlist, finalist for the 2020 Big Other Book Award for Translation.); Salt Monody (Marzanna Kielar; Zephyr Press, 2006). She co-curates and runs ‘Transreading’ courses on translocal and hybrid poetries for the Poetry School in London. Her site-specific verbal and visual texts, often zines and artists’ books, use botanical inkmaking, cyanotype, pinhole photography and expressive handwriting. IG: @elzbietawojcikleese

View profile

SUPPORT

DIVERSE VOICES
IN LITERATURE

If you enjoy our magazine’s print and online issues and believe in our mission of promoting diverse voices, please consider donating so we can continue to publish such relevant and distinctive work here at Solstice.
© 2026 Solstice Literary Magazine
Terms & Privacy Policy Job Opportunities
The content we publish does not necessarily reflect the points of views of the magazine.

We need your help!

Please support marginalized voices.
If you enjoy our magazine’s print and online issues and believe in our mission of promoting diverse voices, please consider donating today so we can continue to publish relevant and distinctive work here at Solstice.
JOIN OUR COMMUNITY
Subscribe for the latest news, fresh voices, and unique perspectives
Get the latest news, events, and contests—plus early access to our newest stories and features.