Van Leeuwenhoek & Vermeer Contemplate Rembrandt’s Masterpiece, Painted Four Decades Earlier as Both Dutchmen Were Conceived

by Jonathan Greenhause

The early 1670s. Snow descends like quiet thoughts. Antonie nibbles
on sugary fresh-baked speculaas, as Johannes sips

upon an earthen cup of java, ponders the tumultuous scene buried
behind the master’s easel, throngs of rapt observers

craning their necks to glimpse Rembrandt’s fictionalized dissection.
In 1675, the famed microscopist, Antonie van Leeuwenhoek,

an admiring peer of the painter Johannes Vermeer, will be tasked
with executing the latter’s will; but now, Johannes confides

he wishes he’d examined that aftermath of the execution of Aris Kindt,
hanged in 1632 for the unpardonable 17th-century crime

of Armed Robbery. In The Anatomy Lesson of Dr. Nicolaes Tulp,
Kindt lies pale, draped — for privacy’s sake — by a swatch

of creamy folded cloth, as a metallic slicing instrument neglects
its customary starting point upon the decedent’s thorax

in favor of a flayed left arm — the sinister origin of his delinquency —
as doughnut-collared surgeons huddle by the ashen cadaver,

prize their pockets’ lessened weight as the price to be portrayed,
memorialized in somber shades for centuries to come.

Johannes suggests they sneak back into the stuffy boardroom
of the Guild of Surgeons, add in a few pearl earrings

& an exotic headdress, apply Antonie’s optical lenses
to identify the swarms of microscopic infusoria floating through

a trail of condensation in Kindt’s R-shaped bellybutton.
A seconds-held stare. Then, rumbling belly laughs, both well-aware

such flagrant acts might turn them, too, into breathless subjects
for a future master’s brushstrokes, as two more geniuses are formed.
Jonathan Greenhause

Jonathan Greenhause

Jonathan Greenhause makes a living turning English into Spanish and Spanish into English, sharing a small home with his wife and two children. His collection, Cupping Our Palms (Meadowlark Press, 2022), won the 2022 Birdy Poetry Prize, and he was the winner of the 2025 Goldsmith Poetry Festival Competition and the 2024 Teignmouth Poetry Festival Open Competition. His poems have recently appeared or are forthcoming in The Asheville Poetry Reviewthe minnesota reviewPermafrostPuerto del Sol, and Southword. This is his second time appearing in Solstice.

View profile

SUPPORT

DIVERSE VOICES
IN LITERATURE

If you enjoy our magazine’s print and online issues and believe in our mission of promoting diverse voices, please consider donating so we can continue to publish such relevant and distinctive work here at Solstice.
© 2026 Solstice Literary Magazine
Terms & Privacy Policy Job Opportunities
The content we publish does not necessarily reflect the points of views of the magazine.

We need your help!

Please support marginalized voices.
If you enjoy our magazine’s print and online issues and believe in our mission of promoting diverse voices, please consider donating today so we can continue to publish relevant and distinctive work here at Solstice.
JOIN OUR COMMUNITY
Subscribe for the latest news, fresh voices, and unique perspectives
Get the latest news, events, and contests—plus early access to our newest stories and features.