NUDES IN WATER SERIES
By Karin Rosenthal
My desire to photograph nudes was born of the water, of a passion for being in and meditating upon still waters.
BEST OF THE NET 2023; Essay in THE BEST AMERICAN ESSAYS 2018;
(cited in BAE 2015, 2016, 2020, 2022); PUSHCART poetry finalist
By Karin Rosenthal
My desire to photograph nudes was born of the water, of a passion for being in and meditating upon still waters.
By Ben Berman
If we think of rhythm as the relationship between contrasting elements, then there is a wonderful rhythmic conversation playing throughout all the poems in this issue. Why do we say things that can break glass? Matthew Gallant asks in his poem Inscription, just as Richard Garcia’s piece offers us the destruction of light into painful shards. Meanwhile… Read more »
By Lee Hope
First, a timely ANNOUNCEMENT: Solsticelitmag will be on a Grub Street panel with Talking Writing on the topic: DigitalLit: Why Online Journals Deserve More Respect at 3:45 at the Park Plaza Hotel in Boston on Friday, May 2nd. Also, we’ll be a party where editors meet writers on Thursday eve from 5-7 pm. https://grubstreet.org/muse/lit-week-2014/thursday-may-1st/ … Read more »
By Serhiy Zhadan
Everything, as always, is justified—
All the roads you’ve traveled and even the futile ones,
By Serhiy Zhadan
Translated by Michael M. Naydan You always approached this with suspicion Mary But here the udder of his heart flows with the milk of pain And you sitting beside him there all night in the wind and rain feel how your skin becomes burned with the rust of doubt You carefully look at the… Read more »
By Hsia Yü
Of all the things it could be how come
The entry code to the building I live in the green door at No. 37
By Hsia Yü
One day as I awoke I asked myself
Is this the future
By Nathan Slinker
Nothing happening in the man’s head happens
to feel as good as lemon squares taste before
breakfast but after coffee, when the moon,
By Manu Samriti Chander
I knew a cabby whose honest-to-God
Name was Finally, the first word
His mother uttered when he came out
By Franny Choi
Like any foreigner, he thinks first of the song, the pudgy rodeo clown, lewd confetti vomited on the mall roof. The Apgujeong store fronts flash diamond teeth, neon kaleidoscope. The Supreme Leader of North Korea is a ferris wheel, drunk with light and rage. What they have let happen. The Supreme Leader buys a… Read more »
By Franny Choi
My body is an entire ____________________ wrangled into a jar.
[body of water]
By Michael Mlekoday
I was raised by wolves and I learned
to eat earth. I was raised by a bottle
I found washed up by my hut,
By Fatimah Asghar
I. In the Grocery Store
We weave the shopping cart down the aisle,
By Stevie Edwards
A choking terror detonates the psych ward:
drug-blank faces of fellow patients who mind
their minds, who converse with shadows, won’t eat
By Sean DesVignes
Since the Bible never says Adam & Eve ate an apple,
why must we be so specific? I would enjoy a love scene
By Wesley Rothman
No thing erases. Myth’s wind cannot blot
out the name in alabaster. Atlantis lives
By Marilyn McCabe
With its black strokes, singing, it smears me, lavish. I’m the night’s white canvas turbulent and stiff. I can grab the stars in my hand. They burn but I can’t let them loose.
By Marilyn McCabe
my forehead. I lean against it, look at the snow
that would not hold me, its agreements
more lax, more wink and nudge.
By J. Scott Brownlee
Inside my catfish body you will find
two additional fish—blue & washed
in wet light through the translucent
By Simon Perchik
With each handful you dead
breathe in, nourished by dirt
by these leaves half stone
By Jamaal May
Poetry movements are, by their nature, inherently about a narrowing of possibility (let’s all stop doing that and start doing this). What tends to follow such narrowing is a synthesis between 1) what the movement brought into relief, 2) whatever movement it was a reaction to, and 3) the wildcard possibilities explored by daring new… Read more »
By Trent Masiki
Once in Texas, I pulled up next to a Latino asleep in something like an Impala, outside the washeteria where I had come to do my laundry.
By Thomas Larson
Since I began writing nonfiction more than two decades ago, I’ve ranged from book to long-form journalism, criticism, essay, memoir, and, of late, video essay.
By Martin C. Hansen
On November 22, 2013, I woke with brains in mind. Funny, I haven’t heard much chatter about other November twenty-seconds, but this nice, round number—the half-century, the big five-OH!
By Dr. Tom Mallouk
I was fired from my first two jobs in psychology. Basically, I had made the mistake of talking to people.
By John Brown Spiers
Claude Charles is an uncomfortable millionaire. He works hard to hide what he calls his “creeping suspicion—that something is not right.”
By David Low
When Emily Wong moved to Manhattan from Poughkeepsie, she started to freak out on elevators. It began at Saks Fifth Avenue.
By Vincent Craig Wright
The moon glaring above Table Rock’s got me thinking about our field trip up there in ninth grade and falling in love with this girl I never knew before.
By Steven Huff
Wayne and Abby kept an open package of sleeping pills just sitting around the way another couple might keep a dish of exotic bitter candy that appears to be for anyone to grab
By Steven Huff
Before I became her darling I towed wrecked machines down the river behind my rowboat. Any kind of wreck you’ve got.
By Elizabeth Searle
“Ma’am? You may have to leave.”
The deep Godlike voice from the train’s loudspeaker, only live. Anne stiffens in her seat in the Quiet Car.
By Eric Charles May
When Clarion Woodbury was a boy, we’re talking the early 1960s, the New Orleans house of his grandmother was a not very wide, three-story building set on the northwest corner of a shady block.
By Jenifer DeBellis
The roads are slick, freshly coated with autumn leaves mixed with last night’s rain.
By Catherine Bell
Our house was the finest house in town, on the highest point of rocks, with the widest view of Boston and the islands and the open sea.
By Dominic Chavez
FREETOWN, Sierra Leone — In Kroo Bay, a slum located in the heart of Freetown, mounds of raw sewage seep into pools of stagnant water.
By Kent Foreman
By Kent Foreman
By Lee Hope
This issue of Solsticelitmag is one of our best ever and embodies our commitment to diversity. First, our cover photograph by world-famous photographer Eli Reed, as well as the other eight pieces in his Mozambique series, depict his dedication to human rights. And in promoting human rights, please read in fiction: Nahid Rachlin’s haunting piece… Read more »
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