Archives: Content

NUDES IN WATER SERIES

By Karin Rosenthal   

My desire to photograph nudes was born of the water, of a passion for being in and meditating upon still waters.


Poetry Editor’s Note

Poetry Editor’s Note

By Ben Berman   

If we think of rhythm as the relationship between contrasting elements, then there is a wonderful rhythmic conversation playing throughout all the poems in this issue. Why do we say things that can break glass? Matthew Gallant asks in his poem Inscription, just as Richard Garcia’s piece offers us the destruction of light into painful shards. Meanwhile… Read more »


Spring 2014 Editor’s Note

By Lee Hope   

First, a timely ANNOUNCEMENT:  Solsticelitmag will be on a Grub Street panel with Talking Writing on the topic: DigitalLit:  Why Online Journals Deserve More Respect at 3:45 at the Park Plaza Hotel in Boston on Friday, May 2nd.   Also, we’ll be a party where editors meet writers on Thursday eve from 5-7 pm.  https://grubstreet.org/muse/lit-week-2014/thursday-may-1st/   … Read more »


(Untitled)

By Serhiy Zhadan   

Everything, as always, is justified—
All the roads you’ve traveled and even the futile ones,


ATHEISM

By Serhiy Zhadan   

Translated by Michael M. Naydan   You always approached this with suspicion Mary But here the udder of his heart flows with the milk of pain And you  sitting beside him there all night in the wind and rain feel how your skin becomes burned with the rust of doubt You carefully look at the… Read more »


Ashes

By Giles Li   

Performance Poetry


Ten Flowers

By Richard Cambridge   

Performance poetry


The Lost Actor

By Nathan Slinker   

Standing knee-deep
in a marsh, I fish.
I wait for fish


A Dollop of Meringue

By Nathan Slinker   

Nothing happening in the man’s head happens
to feel as good as lemon squares taste before
breakfast but after coffee, when the moon,


Off Switch

By Manu Samriti Chander   

I knew a cabby whose honest-to-God
Name was Finally, the first word
His mother uttered when he came out


Kim Jong Un, Supreme Leader of North Korea, in Gangnam District

By Franny Choi   

  Like any foreigner, he thinks first of the song, the pudgy rodeo clown, lewd confetti vomited on the mall roof. The Apgujeong store fronts flash diamond teeth, neon kaleidoscope. The Supreme Leader of North Korea is a ferris wheel, drunk with light and rage. What they have let happen. The Supreme Leader buys a… Read more »


Mad Libs I

By Franny Choi   

My body is an entire ____________________ wrangled into a jar.
[body of water]


Medusa’s Dinner Party

By Fatimah Asghar   

I. In the Grocery Store

We weave the shopping cart down the aisle,


In the Psych Ward

By Stevie Edwards   

A choking terror detonates the psych ward:
drug-blank faces of fellow patients who mind
their minds, who converse with shadows, won’t eat


Lumpy, an American Sonnet

By Sean DesVignes   

Since the Bible never says Adam & Eve ate an apple,
why must we be so specific? I would enjoy a love scene


The Ruins

By Wesley Rothman   

No thing erases. Myth’s wind cannot blot
out the name in alabaster. Atlantis lives


Hidden Valley

By Ann Douglas   

A bitch senses under her padded
paws, the earth
as it fattens


River Metaphysics

By J. Scott Brownlee   

Inside my catfish body you will find
two additional fish—blue & washed
in wet light through the translucent


Poetry Editor’s Note

Poetry Editor’s Note

By Jamaal May   

Poetry movements are, by their nature, inherently about a narrowing of possibility (let’s all stop doing that and start doing this). What tends to follow such narrowing is a synthesis between 1) what the movement brought into relief, 2) whatever movement it was a reaction to, and 3) the wildcard possibilities explored by daring new… Read more »


Orality Hunger (for David Shields)

By Thomas Larson   

Since I began writing nonfiction more than two decades ago, I’ve ranged from book to long-form journalism, criticism, essay, memoir, and, of late, video essay.


An Ugly Anniversary

By Martin C. Hansen   

On November 22, 2013, I woke with brains in mind. Funny, I haven’t heard much chatter about other November twenty-seconds, but this nice, round number—the half-century, the big five-OH!


The Uncomfortable Millionaire

By John Brown Spiers   

Claude Charles is an uncomfortable millionaire. He works hard to hide what he calls his “creeping suspicion—that something is not right.”


Elevor

By David Low   

When Emily Wong moved to Manhattan from Poughkeepsie, she started to freak out on elevators. It began at Saks Fifth Avenue.


Table Rock

By Vincent Craig Wright   

The moon glaring above Table Rock’s got me thinking about our field trip up there in ninth grade and falling in love with this girl I never knew before.


Dukkha

By Steven Huff   

Wayne and Abby kept an open package of sleeping pills just sitting around the way another couple might keep a dish of exotic bitter candy that appears to be for anyone to grab


The Hudson

By Steven Huff   

Before I became her darling I towed wrecked machines down the river behind my rowboat. Any kind of wreck you’ve got.


THE QUIET CAR

By Elizabeth Searle   

“Ma’am? You may have to leave.”
The deep Godlike voice from the train’s loudspeaker, only live. Anne stiffens in her seat in the Quiet Car.


An American Family

By Eric Charles May   

When Clarion Woodbury was a boy, we’re talking the early 1960s, the New Orleans house of his grandmother was a not very wide, three-story building set on the northwest corner of a shady block.


House on the Rocks

By Catherine Bell   

Our house was the finest house in town, on the highest point of rocks, with the widest view of Boston and the islands and the open sea.


Water Issues

By Dominic Chavez   

FREETOWN, Sierra Leone — In Kroo Bay, a slum located in the heart of Freetown, mounds of raw sewage seep into pools of stagnant water.


Peace

By Timothy Mason   

Performance Poem


CoCa

By Iyeoka Ivie Okoawo   

Performance Poem: CoCa


Editor’s Note

Editor’s Note

By Lee Hope   

This issue of Solsticelitmag is one of our best ever and embodies our commitment to diversity.  First, our cover photograph by world-famous photographer Eli Reed, as well as the other eight pieces in his Mozambique series, depict his dedication to human rights.  And in promoting human rights, please read in fiction: Nahid Rachlin’s haunting piece… Read more »